Pierre Marie's Achievement

Pierre Marie's Achievement | Hermès Scarf

2022 Harnais en Rosace shawl 140

The impeccable geometry of the Renaissance might as well be beyond compare, but Pierre Marie has added his own touch, liberating its rose windows, deconstructing its symmetry, twisting its friezes. Everything is spinning out of control! And yet things had got off to a good start: the waves turned in a synchronized circle, as if seeking to form a perfect dome, but this was without taking into account the plates in the Emile Hermès collection. A profusion of horse bits, cavessons and curb chains joined in, tying and untying, coiling in every direction, enough to make your head turn. Good luck in untangling the harness!

2022 Le Sacre des Saisons

A lion with a sunburst mane as golden as a wheatsheaf, an eagle camouflaged behind autumn leaves, a wolf shivering under an icy crown, and a horse embellished with spring flowers like a painting by Arcimboldo… In a hymn to the riches of nature, Pierre Marie reinvents the representation of the cycle of the seasons, each one personified by a fantastical animal executing a dance step. Their costumes are inspired by those designed by Henri de Gissey for the Ballet Les Fetes de Bacchus in the 17th century, and by Leon Bakst for the Ballets Russes in the early 1920s. It pays tribute to the depth of time in the form of baroque extravagance.

2021 Reactions en Chaines

Emblematic pieces from the house’s jewelry and accessories collections are delicately intertwined in this composition by Pierre Marie. The short links of the Chaîne d’Ancre bracelet are particularly recognizable. Designed by Robert Dumas in 1937 during a stay on the Breton coast, this nautically-inspired bracelet has become one of the house’s flagship creations. Harness parts – including stirrups and bits – are interspersed among these snaking chain links, forming a gold and silver lattice on which imaginations can run wild.

2020 Les Roues de Phaeton

The phaeton, named after the son of the solar deity in Greek mythology, is a horse-drawn vehicle that was popular in the late 18th century in France and England. Lightweight and easy to handle, it allowed the driver to move swiftly around town. Here, the designer Pierre Marie presents a rear perspective of the model in the Émile Hermès collection, with its large wheels and delicately painted decoration. Around the scarf, framed by harmonious curves, a pattern of palm leaves recalls the rug in Émile Hermès' office, where this precious carriage is displayed.

2020 La Source de Pegase

With a kick of a hoof from Pegasus, the winged horse and divine creature in Greek mythology, a spring bursts forth. Known as Hippocrene, this spring is located on Mount Helicon in Greece. The nine muses, daughters of Zeus and Mnemosyne, goddess of memory, would come to drink from it. Pierre Marie's narrative eloquence is expressed in both line and composition. His design, an allegory of an idea springing to mind, tells this wonderful story. It depicts Pegasus with radiating wings, and muses dancing a farandole in a joyful and fantastical setting that is as terrestrial as it is cosmic.

2019 La Patisserie Francaise

2018 Duels Oniriques

2018 Cache-cache Fleuri

2018 Le tour du Monde en 63 cases

2017 Les Tresors d’un rtiste

2016 Flanerie a Versailles

2015 Le Potager Extraordinaire

2015 Ballet Aquatique

2015 La Maison des Carres

2014 Bouquets Sellier

2014 Dame De Coeur

2013 Sous L'Egide de Mars

2013 Les Trophèes

2013 Cordages

2012 Point d'Orgue

2012 La Fabriques de Rubans

2012 Le Laboratoire du Temps

2010 L'Ombrelle Magique

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2015 Hermès Scarf Jardin d'Hiver --- Part 1 The Gardens In The Deserts

Photo courtesy of Hermes In the 17th to 19th centuries, the elite from many cold climates cities in Europe used to build large conservatories to house tropical and subtropical plants that would survive under improved conditions. A Winter Garden’s primary purpose was to extend the elite’s living space and create an exotic living environment with tropical plants. One of the Winter Garden’s functions was to protect the precious plants and citrus fruit trees in the cold season, such as the tasty yet delicate orange trees and pineapple shrubs. At that time, the Pineapple, the indigenous fruit of South America, was a significant cultural icon of luxury. The warm and humid oasis mixed with lush trees, unique flowers and exotic fruits inside the magnificent architecture became an attraction for guests and visitors. It was eventually used for various purposes, such as displaying tropical plants, holding flower shows, afternoon tea parties, evening occasions, social gatherings, and academic r

2019 Hermès Shawl Le Jardin de Leila au Bloc

Hermès Shawl Le Jardin de Leïla au Bloc 140cm Photo Courtesy of Hermès Hermès Scarf Le Jardin de Leïla 90cm Photo Courtesy of Hermès “Hermès wouldn’t be Hermès without Leïla,” said Axel Dumas, the chief executive of the luxury French maison at the opening of the “Hermès à Tire d’Aile: Les Mondes de Leïla Menchari” (Hermès Takes Flight: The Worlds of Leïla Menchari) exhibit in 2017. Tunisian-born Leïla Menchari (27 September 1927 – 4 April 2020) is the maestro who created the window display at the Hermès flagship store at 24 Rue du Faubourg Saint-Honoré for over 35 years. She has created over 137 window displays since joining the Hermès decoration team in 1961. The company’s former chairman and artistic director Jean-Louis Dumas appointed her as the director of window displays and the silk colours committee from 1978 until 2013. Photo Courtesy of Dar Hensen Hermès paid homage to Leïla Menchari and issued the carré Le Jardin de Leïla in 2014. The carré was reproduced as the Le Jardin de

Dimitri Rybaltchenko's Achievement | Hermès Scarf

Dimitri Rybaltchenko and Hermès Scarves 2022 Minuit au Faubourg 70 The clock strikes twelve. Midnight in Paris, and the city seems calm and quiet. But a signal beams out from the Eiffel Tower: a call to Super H! Something’s afoot. Masked and cloaked, the proud horse atop the Hermès building undergoes a strange metmorphosis, ready for action. We watch breathlessly as he prepares to take flight – a modern Pegasus for the world of the comic strip. A few seasons ago, another carré – Quand soudain (When suddenly) – showed him with his rider, galloping, mane rippling in the wind. Here, watched from a discreet distance by his groom, standing behind a nearby window, he sports a super-hero costume all his own. What’s about to happen? Find out next time, in the adventures of Super H. 2022 Springs Springs It takes courage to tackle the great classic, Springs! Dimitri Rybaltchenko knows his classics, as he is the great-nephew of Philippe Ledoux, who created this design in 1974. This connection wa

2010 Hermès Scarf Cent Plis des Miao

Photo courtesy of Phoua Vang After harvesting each year, the Miao people celebrate New Year in the 10th month of the lunar calendar in southwestern China. As the Miao’s New Year unfolds, it is time to unroll a precious silk scroll - the Hermès carré Cent Plis des Miao. Photo Courtesy of 2390890985MSH In the year 2010, Hermès announced the year’s theme was “Storytelling”. The French fashion house collaborated with the artist Aline Honoré to create the carré Cent Plis des Miao. The detailed description from the Hermès catalogue: “A fan of fine ribs inspired by the large leaves of the palm, the skirt of a hundred folds is spread across a carpet of delicate patterns, which symbolise the culture and craft of the Miao people. In the southwest of China, protected by the mountains of the moon, women weave, create batiks, and embroider, reproducing the colours and symbols belonging to their group. Each young girl possesses a skirt of a hundred folds and silver jewellery, as betoken by this litt

Hermès Scarf Kawa Ora - Te Rangitu Netana | Handcrafted Jewellery designed by CloudWei.C

Photo credit to Hermès The Hermès Scarf Kawa Ora, designed by Te Rangitu Netana. As stated in the Hermès catalogue: Te Rangitu Netana, a Maori tattoo artist took inspiration from the life of his ancestors and Maori culture to design this scarf. An owl, the messenger between the material and spiritual worlds, rises above the four walls that draw the house of the tribe's meeting place. Knowledge and a connection to the sky are represented on the northern wall, creation and water on the southern, light and the giant eagle on which the Maori have travelled on the eastern. The albatross tears represent the suffering of the Maori people in the western. The central circle represents a giant octopus, a symbol of navigation, and its tentacles, the eight directions of the Maori compass, in a spirited crossing of cultures. The necklace I created specifically for my Hermès scarf Kawa Ora. It is inspired by the seawater momentum depicted in Kawa Ora. T he owl spreads its wings to lift the

2021 Hermès Scarf Duo Cosmique - The Balance Between Innovation & Tradition

Photo coutesy of Hermès In 2019, over 5,500 candidates from 123 countries participated in the first-ever international scarf design competition Le Grand Prix du Carré Hermès hosted by the luxury French Maison Hermès. Japanese artist Kohei Kyomori won first place in 2020. The design “ Duo Cosmique ” was issued as a special edition when the Hermès Omotesando boutique opened in the Spring of 2021. Hermès released the other six colourways in the Fall/Winter 2021 collection. As stated in the Hermès catalogue: “In Tantric Buddhism, A-Un refers to the beginning and end of everything. This philosophical concept is embodied here in the form of a couple with complementary energies. Japanese designer Kohei Kyomori, winner of the Grand Prix du Carré Hermès launched internationally in 2019, pays tribute to Japanese culture and its traditional kimono designs. As such, a tiger, the embodiment of courage, adorns the man’s jacket. Meanwhile, a peony flower, the symbol of perfection, touches the turba

2015 Hermès Scarf Jardin d'Hiver ---- Part 3 The Winter Gardens

The water fountain’s musical trickling sound is a classic of Italy. Water fountains are beloved by Italian. The first fountain’s beneficial purpose in ancient Rome was bringing water to the population and livestock. As time went by, Romans started building tiny drinking fountains to the massive decorated fountains with iconic sculptures all over the region in Italy. Photo courtesy of Wikipedia Villa Borghese, Rome Italy As a memory of the destroyed ancient temple of Asclepius, the God of medicine, the temple of Aesculapius was built on Tiber Island in Villa Borghese, Italy, in 1786. On top of the triangular pediment are several Hellenistic statuses, and entablature supported by columns framing a statue of Aesculapius. Photo Courtesy of a friend Mr.Lau Royal Greenhouses of Laeken, Brussels Belgium Next to the folly with a statue is the medieval Hedge maze. The light suddenly enlightens the maze through a massive grand dome. Within Brussels’ heart, the Royal Greenhouses of Laeken were

Hermès scarf De la Mer Au Ciel | Jewellery designed by CloudWei.C

The Hermès scarf De la Mer Au Ciel was designed by Laurence Bourthoumieux, Toutsy for the french house in the spring/summer season of 2014. As stated in the Hermès catalogue: ‘Fish, like sea-butterflies, metamorphose to greet the sky.’ With these words, Laurence Bourthoumieux describes her teeming, rippling composition of harmonious curves, their meandering forms evoking the ocean depths, and skies full of birds and butterflies. The design is – quite literally – a picture of metamorphosis in action, a vision of a world floating and flying free of gravity itself; a fluid, dreamlike world where shapes, colours and light are transformed from one moment to the next. Centuries ago, the sky was sometimes thought to be composed of the same elements as the sea. And in ancient Greece, fish were among the attributes of Aphrodite, the goddess of love, born – like this silken bestiary – of the ocean spray. The one of a kind necklace I designed specifically for the Hermès scarf De la Mer Au Cie

Hermès Scarf A L’Ombre des Pivoines - Octave Marsal and Théo de Gueltzl

Hermès Scarf A L’Ombre des Pivoines, designed by Octave Marsal and Théo de Gueltzl. Photo credit to Hermès As described in the Hermès catalogue, Giant peonies, fragile though powerful, rise from a proliferation of architectural forms in this poetic play on scale. Their extraordinary corollas bloom over an imaginary city. A city filled with details of beautiful palaces and vast residences, sanctuaries for luxuriant vegetation. Octave Marsal and Theo de Gueltzl bring their worlds, dreams and visions face-to-face in this collaborative design. The utopian universe created by these two artists is an invitation to a meditative journey; a magical scarf in the sense that regardless of which nuance captures the eyes gaze, it’s as if this scarf always seems to make perfect sense. Related articles: Hermès Scarf Designer Archive - Octave Marsal Hermès Scarf Designer Archive - Théo de Gueltzl Hermès Scarf Faubourg Tropical in 3 colourways Hermès Scarf Faubourg Tropical - The Human Oddsey Her

2014 Hermès Scarf Au Coeur de la Vie - From the infinitely tiny to the infinitely great

Photo Courtesy of Hermès Applauding its annual theme Metamorphoses of Objects in 2014, the luxury French Maison Hermès paid tribute to the beauty of nature and its transformation. The carré Au Coeur de la Vie which was designed by the artist Aline Honoré and first issued in the Spring/Summer seasons of 2007, was reissued in 2014. The Hermès 2014 catalogue provides the following detailed information about the carré: “Life is an extraordinary series of metamorphoses. Like an allegory of life itself, this scarf takes us on an incredible journey, beginning at the heart of a single living cell, and ending among the branches at the tops of the very tallest trees in the equatorial rain forest. From the infinitely tiny to the infinitely great… The forest canopy is an expanse of greenery reaching into the empty sky – all that lies between it and the sun. Remote and inaccessible, it is beyond the reach of man: this is the realm of the imagination of Nature herself. The incredible, rich tap

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